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Her eyes reposed thoughtfully upon the hull of the ship, mounting presently in a stealing way to the heights, and her colour seemed to deepen slightly to the impulse of a romantic mood or fancy.,
"You forget," said Captain Acton, "that Mr Eagle and my crew are on board, and they will have something to say in response to Mr Lawrence's orders.",
"You bet. Me an' old Harry know right where it is. We ain't told another soul but you and teacher Stanhope 'bout it yet, but we're goin' to soon. Come on an' I'll show you where it's buried.",
Billy gazed at him wonderingly. "How did you know I was thinkin' of him?" he asked.
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CHAPTER XVIII THE METTLE OF THE BREED,
"No, it ain't that. I guess maybe she's worried more'n cross, an' she's scared too—scared stiff. Well, who wouldn't be with that awful thing prowlin' around ready to claw the insides out'a people in their sleep?",
Billy was giving no attention to the teacher. He was edging towards Lou Scroggie, who stood looking at him from dumb, pleading eyes.,
Lucy had related much, but she had much more to tell, and she narrated to her father fresh stories of her madness, and drew several graphic pictures of Mr Lawrence whilst he laboured under the various sensations her genius as an untutored artist excited. She spoke with contempt of Mr Eagle, whilst she had little or nothing to say about Mr Pledge. Her narratives were marked by a strong leaning in favour of Mr Lawrence. Her father could not mistake. Her prejudice, indeed her fondness, was expressed not so much in her admirable recitals and her references to the dignified and gentlemanly manner with which Mr Lawrence had treated her, with which he had received her aggravating, indeed her venomous, references to his past and present conduct, as in the pause, the soft, thoughtful smile, the brief exclamation, the sigh, and[Pg 408] now and again the little but significant remark.
In some strokes of this character he might have indeed believed that she was merely acting, but other features had impressed him to such a degree that, though he was determined—not yet, perhaps—to accept the suspicion, or the persuasion of his own opinion, he, behind the darkest curtains of his heart, felt a fear that his stratagem would force her reason from her brain, that she would go mad when she clearly understood that the ship was bound to Rio to be feloniously sold there, when she realised that she had been ruthlessly torn from her father, from her home, and all that she loved, and that her name must ever bear the stain, happen what might, of Mr Lawrence's ignoble feat of abduction.
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Whilst he walked Mr Lawrence came up from the cabin through the companion-hatch, and after standing a few moments looking about him, he stepped to the side of Mr Eagle. The contrast between the two men was remarkable. You could scarcely have believed that they belonged to the same nation. Mr Lawrence's tall, elegant, and dignified figure towered above the poor, unshapely conformation of Eagle; his handsome face wore an expression of haughtiness, distance, and reserve. Both Mr Eagle and the boatswain, named Thomas Pledge, who[Pg 237] acted as second mate, and the rest of the crew had already discovered that their captain perfectly well understood and remembered that he had been an officer in the Royal Navy, a sailor of His Majesty the King, that comparatively brief as his story was it was brilliant with heroic incident and adventure, and that instead of being greatly obliged to Captain Acton for this command, he considered that he was acting with a very uncommon degree of condescension in taking charge of a merchant vessel, unless indeed she was a prize to his man-o'-war.
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Bingbing-Li
Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.
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